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1 of 1 copy available
1 of 1 copy available

Based on a true story, Stevenson presents here David as he fights to survive on a desert island, and journeys through the wild Highlands of Scotland encountering notorious outlaws and other strange characters.

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    • Publisher's Weekly

      August 29, 2016
      In 1751, after the untimely deaths of his parents, Scotsman David Balfour, the 17-year-old protagonist and narrator of Stevenson’s classic adventure yarn, travels to his father’s childhood home to meet with his uncle, Ebenezer. Instead of a warm welcome, Ebenezer pays the captain of a pirate ship to kidnap his nephew and transport him to America. On board, David meets dashing Highlander Alan Breck Stewart, and together they manage to take over the ship, beginning a friendship that continues through several land-based adventures. One of these involves witness (and escaping blame for) a murder. Scottish actor Rintoul does an amazing job of delivering a bouquet of brogues—including David’s mild-mannered narration, his uncle’s croaky, angry snarl, and Alan Stewart’s almost musical, supremely confident pronouncements.

    • School Library Journal

      September 1, 2011

      Gr 5-7-These comic adaptations of literary classics seek "to entertain and educate young minds" with literature not generally read by today's young people. They are extensively abridged and retold in contemporary language. Each title includes a biographical sketch of the author and introduces approximately five main characters with illustrations. Back matter includes extension activities and historical information. Rendered in a pastel palette, Don Quixote offers more action and dialogue than the other titles and retains some of Cervantes's original humor. The art includes good use of foreshortening and point of view. Angled panels reinforce the windmill duel. King Solomon's Mines uses a vibrant color palette. Images often seem redundant-merely illustrating the text-rather than adding new insights. Many of the more violent scenarios are not depicted. For example, readers never see the origin of the knife wound shown later in the story. Kidnapped presents panels heavily outlined in black that appear stiff and formal, often having little connection to the sequential action of the story. The book lacks character animation, story pacing, and depiction of action. Adaptations of The Merchant of Venice and Romeo and Juliet rely on abbreviated retellings of the basic plots, eliminating any of the original poetic language. The classic art style features somewhat rigid characters, displaying little emotion.-Barbara M. Moon, Suffolk Cooperative Library System, Bellport, NY

      Copyright 2011 School Library Journal, LLC Used with permission.

Formats

  • OverDrive Read
  • PDF ebook

Languages

  • English

Levels

  • ATOS Level:4.3
  • Lexile® Measure:990
  • Interest Level:4-8(MG)
  • Text Difficulty:3

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