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The Woman from Uruguay

Audiobook
1 of 1 copy available
1 of 1 copy available
New York Times Book Review Editors' Choice From acclaimed Argentine author Pedro Mairal and Man Booker International-winning translator Jennifer Croft, the unforgettable story of two would-be lovers over the course of a single day. Lucas Pereyra, an unemployed writer in his forties, embarks on a day trip from Buenos Aires to Montevideo to pick up fifteen thousand dollars in cash. An advance due to him on his upcoming novel, the small fortune might mean the solution to his problems, most importantly the tension he has with his wife. While she spends her days at work and her nights out on the town—with a lover, perhaps, he doesn't know for sure—Lucas is stuck at home all day staring at the blank page, caring for his son Maiko and fantasizing about the one thing that keeps him going: the woman from Uruguay whom he met at a conference and has been longing to see ever since. But that woman, Magalí Guerra Zabala, is a free spirit with her own relationship troubles, and the day they spend together in this beautiful city on the beach winds up being nothing like Lucas predicted. The constantly surprising, moving story of this dramatically transformative day in their lives, The Woman from Uruguay is both a gripping narrative and a tender, thought-provoking exploration of the nature of relationships. An international bestseller published in fourteen countries, it is the masterpiece of one of the most original voices in Latin American literature today.
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    • Publisher's Weekly

      May 24, 2021
      This introspective outing from Mairal (The Missing Year of Juan Salvatierra) follows a writer’s eventful day as he travels from Argentina to Uruguay to game the exchange rate and collect advances on two books. Lucas Pereyra hopes the money will solve all his problems, including his marital strife with Catalina, who may or may not be having an affair. While in Montevideo, Lucas plans to meet up with Magalí Guerra Zabala, a woman he recently met at a festival, whom he has built up in his mind as another source of salvation. After securing the money from the bank—“a whole year in my pocket”—he rents a hotel room to pursue his “hormonal agenda” with Magalí, though, as is to be expected, nothing goes as planned. Instead, Lucas has run-ins with a pit bull, a tattoo artist, thugs at the beach, and his old mentor. While Lucas’s objectifying of Magalí wears thin, the story ends beautifully and judiciously, as Lucas must decide what he wants and who he wants to be. It adds up to an intimate and mostly fresh look at middle age. Agent: Katie Grimm, Don Congdon Assoc.

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