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Working Girl Blues

The Life and Music of Hazel Dickens

ebook
1 of 1 copy available
1 of 1 copy available
Hazel Dickens was an Appalachian singer and songwriter known for her superb musicianship, feminist country songs, union anthems, and blue-collar laments. Growing up in a West Virginia coal mining community, she drew on the mountain music and repertoire of her family and neighbors when establishing her own vibrant and powerful vocal style that is a trademark in old-time, bluegrass, and traditional country circles. Working Girl Blues presents forty original songs that Hazel Dickens wrote about coal mining, labor issues, personal relationships, and her life and family in Appalachia. Conveying sensitivity, determination, and feistiness, Dickens comments on each song, explaining how she came to write them and what they meant and continue to mean to her. Bill C. Malone's introduction traces Dickens's life, musical career, and development as a songwriter, In addition, Working Girl Blues features forty-one illustrations and a detailed discography of Dickens's commercial recordings.| Contents Acknowledgments Hazel Dickens: A Brief Biography by Bill C. Malone Songs and Memories by Hazel Dickens Mama's Hand A Few Old Memories You'll Get No More of Me West Virginia My Home My Better Years Working Girl Blues Scars from an Old Love Lost Patterns Scraps from Your Table Beyond the River Bend Won't You Come and Sing for Me Only the Lonely Rambling Woman Your Greedy Heart Don't Put Her Down, You Helped Put Her There It's Hard to Tell the Singer from the Song I Love to Sing the Old Songs Old Calloused Hands Rocking Chair Blues Pretty Bird Mount Zion's Lofty Heights 6 Cowboy Jim Little Lenaldo Tomorrow's Already Lost I Can't Find Your Love Anymore Hills of Home Old River Will Jesus Wash the Bloodstains from Your Hands They'll Never Keep Us Down Mannington Mine Disaster Coal Miner's Grave Black Lung Coal Mining Woman The Yablonski Murder Clay County Miner My Heart's Own Love America's Poor Freedom's Disciple (Working-Class Heroes) The Homeless My Love Has Left Me A Hazel Dickens Discography Index Illustrations follow pages 000 and 000 | Winner of a Certificate of Merit for the Association for Recorded Sound Collections (ARSC) Award for Excellence in Historical Recorded Sound Research, 2009. — Association for Recorded Sound
|Hazel Dickens (1925-2011) was a bluegrass and folk music singer and guitarist. She was the first woman to receive the Merit Award from the International Bluegrass Music Association. Bill C. Malone is a professor emeritus of history at Tulane University. His books include Country Music U.S.A. and Don't Get above Your Raisin': Country Music and the Southern Working Class.
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    • Publisher's Weekly

      April 28, 2008
      Still churning out songs "that challenge the easy complacency and corporate arrogance of our time," influential Appalachian singer-songwriter Hazel Dickens has devoted her life to writing music not just about "the predictable themes of bluegrass-mama, the old home place, the distant but cherished past," but "questions of estrangement, survival, human dignity, and social and economic justice that concern us all." This slim biography, which includes many black and white photographs, lyrics and personal notes from Dickens, as well as a complete discography, chronicles her personal and professional life. Malone, an author and Tulane University history professor, illuminates the life of a "sensitive and discerning child of the poor" who overcame "a society that discouraged women from expressing themselves," and, over the decades, ended up speaking out for many. Dickens's stories, accompanying her song lyrics, provide additional insight into her heritage ( "Coal Miner's Grave," "West Virginia My Home"), personal experience and eccentric voice: "Scraps from Your Table," she says, is "one of those nasty smart-alecky songs that I like to write." This tribute to Dickens's life and work will interest bluegrass fans and activists.

    • Library Journal

      June 23, 2008
      Still churning out songs "that challenge the easy complacency and corporate arrogance of our time," influential Appalachian singer-songwriter Hazel Dickens has devoted her life to writing music not just about "the predictable themes of bluegrass-mama, the old home place, the distant but cherished past," but "questions of estrangement, survival, human dignity, and social and economic justice that concern us all." This slim biography, which includes many black and white photographs, lyrics and personal notes from Dickens, as well as a complete discography, chronicles her personal and professional life. Malone, an author and Tulane University history professor, illuminates the life of a "sensitive and discerning child of the poor" who overcame "a society that discouraged women from expressing themselves," and, over the decades, ended up speaking out for many. Dickens's stories, accompanying her song lyrics, provide additional insight into her heritage ( "Coal Miner's Grave," "West Virginia My Home"), personal experience and eccentric voice: "Scraps from Your Table," she says, is "one of those nasty smart-alecky songs that I like to write." This tribute to Dickens's life and work will interest bluegrass fans and activists.

      Copyright 2008 Library Journal, LLC Used with permission.

    • Booklist

      June 1, 2008
      Hazel Dickens singing voice is impossible to ignore. Like bluegrass patriarch Ralph Stanleys, it is the quintessence of the high, lonesome sound of Appalachian traditional music: senza vibrato, as much call as song, as compelling as a siren. In the 1970s, Dickens unaccompanied rendition of "Black Lung," an angry elegy for her coal-miner brother, Thurman, heralded the rebirth of the grassroots protest music that first blew out of her region during the textile-mill strikes of the 1920s. That songs lyrics are here, along with the words of 39 others Dickens has written about the plight of mine workers and also about those country-music staples, the travails and perils of love (especially for an independent woman such as Dickens) and the good, if not easier, old days. Dickens comments generously on each song, revealing her strong personality as country-music historian Malones biographical essay cant, even though it is a fine profile of a roots musician who has been a pioneering woman in bluegrass as well as the foremost American protest singer of the later twentieth century.(Reprinted with permission of Booklist, copyright 2008, American Library Association.)

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